Wednesday, April 16, 2008

1996-98: PSLMcCann Erickson, Guestline Hotels

The Guestline Hotel was located in Juhu, Mumbai. It had another property in Tirupathi. It was rated 4 star in 1996 when we were asked to handle the business.
Occupancy was an issue at the time and with limited budgets, it seemed daunting. The solution was to tackle the corporate segment which could book en-masse for their dealer meets, sales meets, functions etc. Not all managers were eligible for 5 star accommodation. However to raise awareness levels amongst this segment, we took the route of promoting the restaurants. These were positioned in the fine dining slot, moving the entire property upscale in terms of image and perception. Al Frescoe the Italian restaurant, Manhattan the 24 hour coffee shop were sub-brands that we built for the Hotel. These were released in tabloids that had leisure reading audience. The results were immediately visible. Cover rates in the restaurants went up and so did awareness and bookings for both functions and rooms. This continued with festivals being organised in these restaurants and the South Indian Festival was one such. The work done for the Health Club again won us acclaim and members for the hotel.



Creatives:



*Ganesha's love for food is well known and this was used during the time of Chaturthi as a topical one -off.




* The South Indian Festival was done by Paul and Meenu with Ganga providing Mallu insights and guiding Paul while Nalesh Patil and Meetu Mahabaleshwarkar provided vegetables used traditionally in the cuisine south of the Vindhyas with a appropriate South Indian clothing!! Vanmali as usual did a phenomenal job with the illustrations.
The copy written was to me as appetising as the food served up at the Guestline. A sampling is pasted below:
Headline:Eratchi Olathiyathu or Lamb Cooked in Pounded Coconut Masala. (This went with the visual of the coconut with the turban. )
Body copy:These are things that people down South do to a coconut. They scrape it, they squeeze it and if they feel particularly cruel, they pound it. Of course its all for a good cause. Succulent as the lamb may be, to capture its true essence, it needs the help of the lowly coconut.
Sign off: A variety of tongue twisting vegetarian and non- vegetarian delicacies await you at the festival. All lovingly created by the great gurus of gourmet, chefs especially flown in for the occasion. So drop in and savor a slice of the south.
Headline: Vazhakkai chops or Banana chops. (naturally, the banana in a dhoti visual)
Bodycopy: Raw banana caught in its adolescence, is chopped into delicate slices and served. Sweet and yet sour, it flirts cheekily with your palate as you munch into its creamy tenderness. For those with a sweeter tooth, the multi-faceted banana appears in a riper avatar as Nendrapazham Puzhingiyathu or Steamed Banana.
Sign off: is the same for the camapign.A variety.............. slice of the south.
Headline: Murungakkai Sambhar or Drumstick Sambhar.( guessed right.. the drumstick legs)
Body Copy:Full grown men have been known to giggle like little school girls. Such is the wondrous image of South Indian Sambhar. This fiery concoction of the choicest spices, liberally laced with slim, shapely, drumsticks is an essential requirement for every South Indian feast.
Signoff: A variety .............. the south.
Headline: Yennakai Barthide or Fried Brinjals in exotic gravy (Brahmin brinjal ?)
Body copy: The dark horse of the culinary kingdom, the passionate brinjal has the latent charm not apparent to the uninitiated. When roasted and mashed to a quivering pulp, this vegetable takes on hitherto unknown shades of flavour. Adding a touch of romance to the proceedings.
Sign off: A variety ...........of the south.








*The Valentines Day Promotion was done in 24 hours. Nalesh while toying with the salt n pepper crockery came up with the idea. We sold the Client the campaign and for a change the agency initiated the promotion!!






*Al Fresco:
This campaign was done by Meetu and Zubin , but was rejected. It was however revived with changes suggested by Ganga and Nalesh and sold to the Client. Having a strategic overview and the big picture helped me sell the AlFresco and the Manhattan campaigns.
Headline: Munch a Modigliani
Bodycopy: In celebration of its re-opening, Al Fresco pays a tribute to the great Italian master Modigliani. Like Modigliani’s paintings our desserts are a sensual treat. We recommend the xxxxxxxxxxx our signature dessert, a rich blend of xxxxx.and xxx.
Sign off: All under the aegis of the beautiful night sky in the heart of Juhu, in the spirit of Italy.
Headline: Tickle Michelangelo with a fork.
Bodycopy: In celebration of its reopening, Al Fresco pays tribute to the great Italian painter Michelangelo. Like the masterful creations of Michelangelo, our Italian cuisine is prepared from the finest raw materials and presented with the utmost finesse and care. We recommend xxxxx
Sign off:All under the aegis of the beautiful night sky in the heart of Juhu, in the spirit of Italy
Headline : Gobble up a Leonardo.
Body copy:Like Leonardo’s magnificent creations, our meals are prepared with similar genius and eye for detail.We recommend xxxxx
Sign off: All under the aegis of the beautiful night sky in the heart of Juhu, in the spirit of Italy
Tag: Al Fresco, the taste of Italy.
This won us a Clio Nomination in 1997







Manhattan
Headline: International Dishes. Round the Clock.
Body copy: Break fast menu , Lunch menu, Dinner menu. And a special Midnight to Morning menu. With a fare that extends from India to Indonesia to Greece to Hungary to Austria to Burma to the list is enough to make your taste buds blossom. Manhattan, for a variety of dishes under the sun. And of course the moon.
Here it was quite a task getting the Client to pay for a food stylist. In the end we managed and I consider an achievement in terms of selling. It won us another Clio nomination in 1997







Body Routine:
Here too the Client was not willing to invest in such an expensive production. I first did a dip stick to get client reactions. It was quite positive. "Tough enough for a beer?" and "Svelte enough for a strawberry cream"? definitely were insights. Most people exercised to "stay fit" and to ensure that indulgences never showed up on the wrong places. Sanju Hinge, the photographer, did the special effects shoot for almost nothing, when we were worried about huge system work colour corrections. Rajul Dhaimade did the art while Zubin wrote the copy. Dorothy Paul who handled the account brilliantly ensured that all was on par.










Guestline Tirupathi
The ad was for a property were people went on a pilgrimage. The ad too was in keeping with the ethos. Ganga at his best. Short and simple!! In fact the Client was planning to put classified ads and this one turned him into a believer in regular display ads!!!







Client Feedback

1996-98: PSL McCann Erickson, Mahindras,M-Seal





CREATIVE
The first three ads were part of a campaign. The first ad had the headline above the left visual showing the idol of Lord Shiva with a broken nose, which said "Shiva temple , Mumbai" and the headline above the right hand visual said "rebuilt". The two visuals indicating a "before -after" scenario with M-Seal adhesive as the saviour! Similarly, the next visual with the sculpture with the hands cut had the headline "Venus di Milo,Louvre, Paris". The after M-Seal visual had the hands returned and the headline went "Joined". For the third one it was "The Pissing Boy of Brussels" and the visual on the right showed the boy rather "inactive":), thanks to M-Seal and the healdine said "Leak stopped"!. Meetu and Paul did this campaign with Ganga and Nalesh supervising.
STRATEGIC RELEVANCE
M-Seal was faced with stagnating sales growth. Our attempt to rejuvenate this by identifying "new uses, new users" and increase frequency of consumption. The known benefits of stopping leaking pipes, rebuilding cracks in walls and joining parts were presented in unexpected situations and contexts. The body copy exhorted readers to send in innovative uses of M-Seal that they had discovered. It was aptly christened "Eureka" contest!!

The last ad was to promote M-Seal as a medium for art. The headline went without the alphabet i in "artist" The body copy urging the reader to discover the hidden "i" in themselves. Art with M-Seal was a means of self expression and discovery, argued the writer Cherry Koshy. Ganga and Nalesh got this released after working on this with the original team.

We pitched and won this account from Mudra the incumbent agency. We also did a film which showed a nervous thief breaking into a house and using M-Seal to stop all the nocturnal noises, leaking tap, a clock pendulum about to strike 12 and even a creaking open window from where he climbed in, closing all his exits!!
CLIENT FEEDBACKFeedback on Mseal, MRIDL others

Tuesday, April 15, 2008

1996-98: PSL McCann Erickson: Mahindras. Corporate


The ad at the top was done for a magazine that was published by the Mahindras called "Interiors and Lifestyle India". The ad showed the centre clip with all pages torn away. The line at the bottom simply said "Interiors and Lifestyle India. Every page is a collectors item." The Copywriter was Paul Menacherry and the Art Director was by Viren Kamdar. Ganga and Nalesh worked with them and ensured that the final product was world class. It indeed was because it won us our first statuette after numerous finalist nominations!!


The ad "Just a few lines in the fond memory of Mother Teresa was on her death.



This one was just before the New Year eve, when drunk driving accidents were at the highest in Mumbai and we got Lazor Digital Proab,Shirnaz Motors,GMS Group and QCPL to sponsor it.


The matchbox with the film poster of "Mother India" and matches with the colours of the flag were used to promote communal harmony and was carried in the souvenir that was published on the occasion of the MAMI Festival.




Nanhikali was a welfare organisation that helped girl children. The ad was for Christmas gifts.

 

1996-98:PSLMcCann Erickson, Mahindras, Sports













Mahindra's were very much into promoting sports. The ad at the top was for corporate branding. the headline went : "You either have them or you don't" the visual of various "balls" completing the thought!! The body copy was more sedate and pithily said " Mahindras, a company that builds champions. On the field and off the field."

Golf was the favourite sport in the company board room. While promoting it, our attempt was to demystify the game and make it simple and interesting to the general public. The cartoon strip was actually placed on 4 corners of a page (10 col cms each) and first carried in the Afternoon Despatch & Courier. The ad was effectively 40 col cms but dominated the page!!!

The Squash event campaign involved a series of different interpretations of the word 'squash' appearing in successive right hand pages of the newspaper (Midday). The actual word and event were revealed in the 4th page!! This won us a nomination at the CLIO awards in 1997, the finalist certificate at New York Festivals in 97 and was featured in the Annual 6 of the New York Festivals.

The campaign was originally conceived in black and white by Zubin Driver and Meetu Mahabaleshwarkar. It was however rejected by the Client. I am proud that along with Ganga and Nalesh we resuscicated this work and got it released. It took a lot of selling but when done in colour the campaign looked different!

CLIENT FEEDBACKAnand Mahindra Feedback

1996-98: PSL McCann Erickson, Automotives


















The automotive division of Mahindra's was handled by Enterprise Advertising. We pitched and won the account from them. The Voyager campaign was based on the feature of roominess. This was dramatically shown in the layouts above. The film featured a glass shell on a chasis so that the "big picture" or the dramatic rendition of the benefit could be carried across media.
The Great Escape was event for Mahindra 4 wheel drive owners who saw themselves as macho, adventure seekers. It was a drive which was across rugged terrain that pushed the driver and vehicle to the limits. The campaigns were done for various locations... the first one was in Delhi (cute cars wont make it... was a swipe at competition:)), the blockbuster cinema feel was for the Bhopal were films were the staple entertainment mode and then Goa and Mumbai.
Paul Menacherry was the writer on this with Ganga and Nalesh providing guidance. Ganga did the whole hog and converted the Delhi event creatives into a film using the ads as full supers interspersed with rally footage.